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| 9" x 12" Oil on Panel |
Tuesday, May 29, 2018
Field and Trees on a Late Spring Day
Labels:
clouds,
landscape,
mountains,
nature,
oil painting,
oils,
paint,
painting,
plein air,
spring,
trees
Thursday, May 17, 2018
Cottonwoods along a Bank
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| 9" x 12" Oil on Panel |
Labels:
clouds,
landscape,
mountains,
nature,
oil painting,
oils,
paint,
painting,
plein air,
spring,
summer,
trees
Monday, May 14, 2018
Creek Side Shade Tree
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| 9" x 12" Oil on Panel |
Saturday, May 12, 2018
A Little Practice
Not every painting I make is intended for a gallery wall. At times it's good to paint in ways and/or choose subjects that are out of the ordinary for me. Doing so can lead to discoveries that influence in positive ways the methods I use and things I normally paint. A week or two ago I took one of my neglected 6" x 8" pochade boxes down to the lake. Because of the way this pochade box is made, it will also hold 6" x 6" and 4" x 6" panels. The tiny 4" x 6" panel is a good quick sketch size.
Making little pochades is also a contributing factor in getting out into nature on such a pleasant day!
Monday, April 16, 2018
Early Spring Ranch
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| 8" x 10" Oil on Panel |
| I still use the first pochade box I ever built. |
Labels:
clouds,
landscape,
mountains,
nature,
oil painting,
oils,
paint,
painting,
plein air,
pochade box,
spring,
trees,
wasatch
Saturday, March 31, 2018
The Last of March 2018
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| 8" x 10" Oil on Panel |
Tuesday, March 20, 2018
Happy Vernal Equinox 2018
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| 9" x 12" Oil on Panel |
Here's the pochade box I painted in today. After toning the panel, the composition was mapped out. This photo shows the sky painted and the mountains blocked in. Where the tree trunks were in the initial composition was largely obliterated when the sky and mountains were painted. That's OK. They're easy enough to find again.
In this photo we see the middle ground blocked in and the tree trunks getting painted again. I didn't follow how the trees were exactly, but modified them a little to suit the painting.
This photo shows the finished painting. By this time, the light had changed and the scene no longer looked as it did when I started painting. This is the phase where I paint more from memory than direct observation, and instead of copying what's in front of me, focus on making a painting.
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