Another Portrait Sketch From Last Week

12" × 9" Charcoal on Paper  

Another sketch done with charcoal. Drawing made from a live model. Three hours - twenty minutes at a time, with breaks in between the twenty minute stretches.

For more about drawing sessions, go to "Labels" on the side bar and click on "sketching" or "drawing."

Man from India

12" x 9" Charcoal on Paper 

Our subject for last night's drawing session was originaly from India. Charcoal seemed to suit this sketch because of how darker values dominated both subject and setting. The darker areas make the light areas stand out.

For more about drawing sessions, go to "Labels" on the side bar and click on "sketching" or "drawing."

Back to Charcoal for a Week

12" x 9" Charcoal on Paper

The lighting in the studio at last Thursday's portrait session illuminated the model's face, leaving the shadows and background dark. Passing over the graphite pencil, I returned to charcoal for this session. Charcoal's darker value and quicker application allowed me to address the dark areas better than graphite could for this drawing. 

For more about drawing sessions, go to "Labels" on the side bar and click on "sketching" or "drawing."

The Progress of Spring Greens, 2015

9" x 12" Oil on Panel

Between the west side of town and the lake, there are some ranches. A little country road passes through the area not far from the river. It's a place I frequently go to paint, or even just walk. The scene shown above (painted a few days ago) is looking north from the road to a tree growing in one of the meadows, and beyond to snow-capped Lone Peak.

Read the Labels!

12" x 9" Graphite pencil on Paper

This is a pencil sketch from one of last week's live portrait sessions. Any sketches I make using dry mediums - graphite, charcoal and sometimes pastel - are sprayed with something to make them smudge resistant. That something is workable fixative. A light coating of fixative helps protect the drawing, and allows you to work on the drawing more if you want.

Damar varnish, which also comes in spray cans, is a heavier application used to protect dry oil paintings.

When I went to spray the sketch shown above with fixative, I accidentally grabbed the varnish instead. I realized the mix-up as soon as the drawing was sprayed. No harm done, really, but I probably should check the labels of whatever I'm using before one day I mistake damar varnish for something like air freshener or deodorant. It has that fresh piney scent, to be sure, but damar varnish isn't something you want a lot of personal contact with!

For more about drawing sessions, go to "Labels" on the side bar and click on "sketching" or "drawing."

Cascade Mountain and Spring Greens

12" x 16" Oil on Panel

Trees haven't leafed out yet as much as I'd like for plein air painting, but I can't wait. Heber Valley was the location for this painting. The day began with clear blue skies, then clouds developed as I was blocking in the main shapes of the painting. The clouds largely disappeared from the scene as I painted, but not before I was able to get their impression onto the panel. Storm clouds formed over the mountains behind me, but kindly stayed away from me and the scene I was painting. All in all, a great day to be out painting!

Happy Earth Day!

Graphite Pencil Sketches

12" x 9" Graphite Pencil on Paper

Normally charcoal is my medium of choice when making monochromatic sketches from live models. This week, however, a graphite pencil in my sketch box seemed to be demanding my attention. Graphite is an interesting medium. Dry, yet slippery; dark, yet reflective - graphite's darks are not as deep as charcoal's, but it's silvery smoothness brings certain qualities to sketching and drawing that other mediums don't naturally bring.

12" x 9" Graphite Pencil on Paper

There's another reason for hopping from one medium to another. The techniques are different (at least how I use them). With charcoal I work from a middle tone to build both dark and light tones. Graphite pencil works are - for me - strictly light to dark. I start with white paper and build up darks bit by bit. After using one technique for so long, I risk taking certain methods for granted and losing focus. Having to build a drawing using a different method helps me to refocus on the structure of the drawing.

Besides, graphite drawings are cool.

For more about drawing sessions, go to "Labels" on the side bar and click on "sketching" or "drawing."