8" x 10" Oil on Panel |
Saturday, March 31, 2018
The Last of March 2018
Tuesday, March 20, 2018
Happy Vernal Equinox 2018
9" x 12" Oil on Panel |
Here's the pochade box I painted in today. After toning the panel, the composition was mapped out. This photo shows the sky painted and the mountains blocked in. Where the tree trunks were in the initial composition was largely obliterated when the sky and mountains were painted. That's OK. They're easy enough to find again.
In this photo we see the middle ground blocked in and the tree trunks getting painted again. I didn't follow how the trees were exactly, but modified them a little to suit the painting.
This photo shows the finished painting. By this time, the light had changed and the scene no longer looked as it did when I started painting. This is the phase where I paint more from memory than direct observation, and instead of copying what's in front of me, focus on making a painting.
Thursday, March 15, 2018
Up the Canyon
8" x 10" Oil on Panel |
Another sign of spring: There's a bug stuck to the painting near the upper left corner. In plein air painting jargon, we jokingly call that an "eagle." See it up there in the sky? It'll be easier to get off of the painting once the paint's dry. No harm done, except for the poor bug.
Tuesday, March 13, 2018
Paint, Scrape, Paint
12" x 9" Oil on Panel |
These sessions are for practice, pushing your abilities, and sometimes trying new methods. Rarely do I ever "finish" a painting at these sessions. Generally, when the timer goes off at the end of the session, I'm through with my sketch.
Some sessions seem to go better for me than others. Last Wednesday my sketch didn't begin well, but I continued on, trying to force the painting to be better. Halfway through the session, I had to admit to myself that the sketch wasn't working and couldn't be corrected. So, out came the palette knife. The paint was scraped off of the panel, leaving a faint image on the panel. Over that, new paint was applied, with better attention to drawing. Now I had only half a session to work in - an hour and a half, minus breaks. The image above shows how the second half of the session went for me. Better, I think.
Colors used were cadmium yellow light, yellow ochre, cadmium red, quinacridone red, ivory black, and of course, titanium white.
For more about portrait sessions, go to "Labels" on the side bar and click on "portrait", "sketching" or "drawing".
Saturday, March 3, 2018
Last Day of February 2018
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