Wednesday, April 19, 2017

Timpanogos in Mid April

9" x 12" Oil on Panel
Trees are still mostly bare of leaves, but I go painting anyways. There's a lot of snow on Mount Timpanogos. The painting at the top of this post shows the highest peaks of the mountain framed by a latticework of early Spring tree branches. 

This was painted last week on a very windy day. I had to set up the paintbox on the downwind side of my little SUV for some shelter from the wind. The day was sunny and clear when I began the painting, but a couple hours or so later clouds moved in and dust kicked up turning the air grey. The sky and mountain in the painting were mostly completed before blowing dust made it almost impossible to even see the mountain.

Tuesday, April 11, 2017

Early April in the Valley

8" x 10" Oil on Panel
It's still "stick season", that time of year when grass is greening and wildflowers are appearing, but the trees are still just budding out. It's also a season when one's reaction to fickle Spring weather can go from euphoric Spring fever one day, to wondering the next, "Where the heck did Spring go?!" Either way, it's a good time to go explore and enjoy the valley near and around the lake. The painting shown above was painted last week on one of the nicer Spring days.

Tuesday, April 4, 2017

Late March along a Country Road

8" x 10" Oil on Panel
Warmer weather is drawing more colors onto my palette. 

It was such a nice day last Wednesday when I visited the marshes by the lake. Scouting out places to paint, I walked down a road that had a view through tamarisks and cottonwoods of the mountains at the south end of the valley. Walking down the road I thought of how not only the warm, sunny weather felt nice, but the simple activity of walking down a dirt road in the country felt so good! 

The songs of western chorus frogs and meadowlarks sounded across the marsh as I set up and began to paint. Occasionally, a mallard duck or two would land in or take off from a small canal that ran beside the road. Not far away, a couple sandhill cranes trumpeted from time to time. As the day moved from afternoon into early evening, several red-wing blackbirds came into the area, singing their tumbling, raspy trill in competition with one another.

On a day like this, who on Earth would want to work in a studio?

Saturday, April 1, 2017

My New Blog

Here It Is
As you can see from the photo above, I have a log. And now it's on the World Wide Web. It's a World Wide Web log, or "blog" for short.

Another View
How do I log on? Well, as you can see above, I can log on the floor or log on the ground, log on end or log on side. Maybe put a log on the fire, and maybe even log-a-rithm. Hope you like it! Be sure to like, share, and comment! And by the way...


Monday, March 13, 2017

Stick Season

8" x 10" Oil on Panel
This is the season between white and green. Snow in the valley has melted, and trees are a couple months or so from fully leafing out. This season can be kind of brown and grey. Trees look like giant conglomerations of sticks great and small. This is stick season.

It's also the season of warming temperatures and rising birdsong. Grass begins to green and tiny wildflowers make their appearance. The welcoming rays of the sun begin to draw Spring into the valley.

Painting during this season can be challenging, but there are still paintings to be made from this time of transition. Late last week I ventured out to gather some of pre-Springs's colors of blue, gold and bronze onto a gessoed panel. The picture shown above is the little bit of the season I brought home with me.

Tuesday, March 7, 2017

Oil Sketch of a Bearded Man

8" x 10" Oil on Panel
Here is another portrait sketch in oil from the ongoing weekly visits to the portrait sessions. This one is from last week. These sessions not only allow me to exercise sketching and painting skills, but also to meet and exchange ideas with other painters and hear about art happenings near and far. There's so much to learn from seeing how the other session attendees draw and paint!

Colors used for this portrait were cadmium yellow, cadmium red, ivory black, and titanium white.

For more about portrait sessions, go to "Labels" on the side bar and click on "portrait", "sketching" or "drawing.

Wednesday, February 15, 2017

A Cowboy and a Woman

6" x 6" Oil on Canvas Panel
Here's a couple of portrait studies from last week. The cowboy painting was made with cadmium yellow, cadmium red purple, ivory black, and titanium white.

8" x 6" Oil on Panel
The woman's portrait study was painted with yellow ochre, cadmium red purple, ivory black and titanium white. It's so good to have places to go every week to practice slingin' paint around with other painters!

For more about portrait sessions, go to "Labels" on the side bar and click on "portrait", "sketching" or "drawing."

Tuesday, February 7, 2017

Another Recent Portrait Study

8" x 6" Oil on Panel
A week into February and I've still not had any success yet this year getting out to paint plein air landscapes. However, I'm still going to the portrait sessions every week, so this weeks blog post will be about the portrait sketch from last Wednesday's session. Colors used were, as usual, yellow ochre, cadmium red purple, and ivory black, plus titanium white.

Landscapes are coming.

For more about portrait sessions, go to "Labels" on the side bar and click on "portrait", "sketching" or "drawing."

Monday, January 30, 2017

Portrait Sketches from January

8" x 6" Oil on Panel
It's challenging to get back into the swing of things after so much time away from painting during the holidays. The first two oil sketches are from the Wednesday night portrait sessions at Howard Lyon's studio.

8" x 6" Oil on Panel
The second model was the 13 year old daughter of one of the painters who attends the sessions.

The colors for these three portrait sketches was the usual limited palette I've been working with lately: yellow ochre, cadmium red purple, ivory black, and titanium white.

10" x 8" Oil on Panel
The third sketch is from the Thursday evening portrait session at Casey Childs studio. It was a short session because the sitter also had to be somewhere else later that evening. I wasn't aware of that until Casey announced the last sitting for the session. It ended a half hour early, but that's OK. I'm posting my sketch here anyway. I'm happy to have so many opportunities to work from life and see what other painters are doing.

For more about portrait sessions, go to "Labels" on the side bar and click on "portrait", "sketching" or "drawing."

Friday, January 13, 2017

A New Model and a New Paint Color

8" x 6" Oil on Panel
It's been either too cold (5° F) or way too wet to paint outdoors. Haven't been to any portrait sessions for a few weeks and I'm eager to start painting from life again. The picture shown above is of my painting from last Wednesdays session.

This little portrait was painted with a three color palette, plus white. Colors used were: titanium white, ivory black, yellow ochre, and a new color - cadmium red purple.

"Cadmium red purple? Was ist das cadmium red purple?" you might ask. Well, let me explain. For plein air paintings I generally use a split primary palette, with one or two additional colors. Every once in a while I'll search for new colors to substitute for others in the split primary palette. In my search for a cool red alternative to alizarin crimson, I came across cadmium red purple. It sounded like it should work, but it didn't. Alizarin crimson is dark and "transparent" - qualities I need in that part of my plein air palette. Cadmium red purple is neither. So cad red purple became one of those unused tubes of paint that just took up space in my paintbox. That is, until last Wednesday. On that day the lighting, setting and model all had cool tones, so instead of using regular cadmium red, I saw the previously unappreciated cad red purple in my box and thought to try it. I think it worked.

I'm not saying cadmium red purple should be a permanent part of my palette. I probably could have gotten another red to work just as well at last Wednesday's session. But painters should step outside the box they're used to working in and try new things. When something new doesn't work as intended, you might later find it works just right for something unexpected.

For more about portrait sessions, go to "Labels" on the side bar and click on "portrait", "sketching" or "drawing."